The work takes place in environments where things move quickly and don’t pause for a camera. Over time, working across entertainment, sports, weddings, etc. has meant learning how to operate within that pace; anticipating change, adjusting on the fly, and working without interrupting what’s already happening.

Much of the job is logistical before it’s creative. Understanding a space, knowing where to be, and making decisions in real time matter more than setting a scene. The work often happens at the edges.. between people, behind activity, just outside the center of attention.

Across photography and videography, I approach projects with the same priorities: clear framing, steady pacing, and minimal interference. I don’t rely on repetition or resets, and I’m comfortable working within the constraints that come with live environments. Each setting brings its own challenges, and adapting to those conditions is part of the process.

The projects shown span different scales and contexts, but they’re all shaped by the same working method. Preparation, flexibility, and restraint. The goal is to deliver work that reflects what actually took place, without adding unnecessary direction or distraction.